The Modern Master’s and the Progressive Artist’s Group (PAG) in Mumbai, were at the vanguard of establishing an era of Modern Art in India during the early 1960s and 70s. It is small wonder that their work continues to hold its sway over the art market. Continue reading “Upward Curve”
Calling to art: Came to Delhi in 89 and finished my MFA from college of Arts. Worked with all the big galleries. Dialogues with foreign and upcoming artists gave me inspiration.
Inspired by: Raza and Ram Kumar. Continue reading “Artist Spotlight: Bipin Kumar”
The India Art Fair, (IAF), opened at the NSIC grounds on February 2nd to an increasing number of footfalls. Despite the overwhelming number of galleries displaying typical paintings and sculptures there were a number of provocative and non-commercial Projects.
At the centre of IAF’s right hall, Art Heritage gallery’s exhibition of Vanita Gupta’s Breathe In, Breathe Out: A Medley in Spatial Registers introduced the viewer to an immersive realization of the process of inhabiting a topography. In the context of this work this could signify diverse possibilities: the uneven terrain of individual interiority, the interstices of the human body, or simply the contours of a fluid but intricate geography, including that of the gallery itself, exposed to the continuous traffic of what passes through—bodies, breath, elements, emotions, sensations, and the residue of intervention sand interpretations created by these encounters. Continue reading “Interpreting Contemporary Geographies: India Art Fair 2017”
The 9th edition of the India Art Fair opened at the NSIC grounds on Thursday. The Fair that is showcasing art from about 90 galleries, from across the globe received a decent number of footfalls, for the first day. The crowd, on the opening day comprised mostly of artist, some VIP collectors and the press. Some gallerists had reported that they already had interest and sales of the works. Neha Kirpal is the founding director of the fair, which opens at New Delhi’s NSIC grounds on February 2. The MCH Group, the company that runs the Art Basel fairs, is the new co-owner of the IAF. One could say that this avatar of the Art Fair is characterized by a balance of commercial work and experimental projects. Following are the ones that stood out and cannot be missed.
1. Aicon Gallery’s showcase of Pakistani-American Anila Quayyum Agha’s installation, All the Flowers Are For Me, was one of the most anticipated pieces and it did not disappoint. The work, displayed in a solo booth is a play with light upon filigreed cutouts that characterized by geometric ornamentation’s and patterns. It effectively transformed the busy space of the Art Fair into one of contemplation and repose. The meditative quality of the work engages the viewer, slowing down the quick browsing that is characteristic of Art Fair viewing. Continue reading “5 things not to miss at the India Art Fair 17”
It is a photography show, which is why I found it interesting when people compared the photographs to paintings. Viewers spoke of colour, texture and rendering of the photograph and were glad that they attended the show rather than just look at the images online. The truth is that despite living in a digital age, where most photographs are viewed on social media and other platforms like Instagram, the physical and corporal nature of the photograph continues to remain important. Continue reading “Let’s get physical”
The distinction between Fine Art Photography and documentary photography is a very thin one. Some of the great photographers in India, like Raghu Rai, Dayanita Singh and Pablow Bartholomew began their careers as photo-journalists capturing some of their best frames while on their ‘beat’. For instance, the Bhopal Gas Tragedy images of 1984, taken by both Rai and Bartholomew is a perfect example of this overlap. The image conveys a deep sense of tragedy and loss, and it has a universal relevance even though it is very specific to its location. Continue reading “Appreciating photography as fine art”
Minimalism in photography is not a new phenomenon. A lot of photographers have attempted to do it. Very few if any have done a substantial amount of successful photographic work on it. There are a few international photographers that come to mind including Michael Kenna, Hiroshi Sugimoto and Grant Hamilton. As Hans Hofmann aptly put it “The ability to simplify means to eliminate the unnecessary so that the necessary may speak.” It is more true today than anytime in the past. We have a deficiency of time, focus and attention. Continue reading “Minimalism and photography”
1. Do tell us how your journey as an artist began?
My inclination toward art started way back, when I was five years old. My father is a very creative person and was always interested in creating and watching him create, tinkering with stuff made me curious and excited. I started drawing on walls in order to beautify otherwise dull and ordinary surfaces. I am really thankful to my parents, who never devalued or stopped me doing things I loved doing. This encouraged me to continue working and creating. I decided to pursue art as a career, when I see one of my cousins doing her graduation in fine art. I started visiting her studio often and was excited to see how someone could choose art as one’s career. After that I did my graduation from art college Chandigarh and Post-Graduation from Jamia Millia Islamia. Continue reading “A tete a tete with Gaurvi”
Here are three incredible women photographers you should follow on Instagram. Not your run of the mill images. They are passionate, creative and have a distinct body of work to show.
1. Namrita Bachchan
‘Goodbye Padmini’ is Photographer Aparna Jayakumar’s solo exhibition at Bakehouse Art Complex in Miami. Aparna brings a bit of Mumbai, the city where she grew up to the US. When I first set eyes on Aparna Jayakumar’s photographs, that were put up in her Mumbai home, where she lived with her sister and father, I noticed a great sense of empathy and sensitivity in her work. I was also captured by her ability to compose a well-balanced frame in a split second. Continue reading “‘Goodbye Padmini’”
When two disciplines like art and science clash, interesting facts come to light. Take for instance the findings of Eric Kandel, the winner of the Nobel prize of Physiology or Medicine. His book Reductionism in Art and Brain Science has ‘pulled’ the veil from our eyes, as to why the average human being tends to relate easier to a realistic painting rather than an abstract painting. This is because in an abstract painting “Elements are included not as visual reproductions of objects, but as references or clues to how we conceptualise objects. In describing the world they see, abstract artists not only dismantle many of the building blocks of bottom-up visual processing by eliminating perspective and holistic depiction, they also nullify some of the premises on which bottom-up processing is based,” to paraphrase Kandel. Continue reading “Abstraction makes our brains hurt, but in a good way.”
There is a joke doing the art circuit, that an art collector once went crazy over an abstract painting. He was willing to pay anything to acquire it but was embarrassed to learn that the painter behind the work he liked was not the artist but his pet chimpanzee! The joke is often used to illustrate the bewilderment that one often experiences when faced with an art work that has no narrative, no figures…nothing but colour and line. Continue reading “A primer on Abstracts”
India’s only woman prime minister was a natural in front of the camera. She never posed for a photograph and yet, lens men have captured the most iconic moments of her life, as if it was a posed photoshoot. She had poise, intensity and more importantly the Nehruvian legacy behind her. Whether it was at a press conference or a tender moment with her children, in the garden looking at the flowers or campaigning for the elections, late prime minister Indira Gandhi was a photographer’s dream come true. Continue reading “Frames from the past”
The question is as relevant today, as it was when photography started. Photography in essence hasn’t changed much from the time it originated. Yes the cameras and other tools have made it easier to make images and nowadays everybody has a camera on them. It is just that it is called a phone sometimes. Tons of images are being taken every day. One of the most important things to recognize is that having a camera doesn’t make us create good images. Just like having pots, pans or ingredients don’t make us a chef. What differentiates a good photograph from an ordinary one? A lot. Especially when you are buying photographic art to put up on your wall. Continue reading “What makes a good photograph?”
Favourite pastime: Swimming, I was a very energetic child and the best outlet for my pent-up energy was to jump into the local ponds and lakes. This proximity to nature also brought me close to art.
Calling to Art: My uncle inspired me to follow art. I used to paint incessantly on the walls of my home. Or any place I could get my hands on.
Getting serious: I did my BFA at Rajasthan School of Art and a Masters in Printmaking at Baroda Collage of Art in 1992 and 1996 respectively. Continue reading “Artist Spotlight: Mukesh Sharma”
From The expressive canvases bathed in red and textured by bead-work to the minute paper works of glass beads on gold. Large installations that envelope you into a cocoon of red, festooned fabric and wire-work that hang from the ceiling to the enchanting light boxes that glow with primordial vigor.
Besides his ability to provide the viewer with a varied and nuanced visual experience, Puneet Kaushik has long been heralded as one of the important artists who has brought together aspects of craft and fine art in a glorious amalgam of textures and forms. Many of these are techniques on the verge of extinction… weaving, knitting, crochet and Tibetan bead work embellishment. Kaushik reinvents ‘fibre art’ by crochet being knitted in copper and stainless steel wire. His works are not figurative yet they are not entirely abstract, since the convey very specific emotions and thoughts. Continue reading “Barren Red”
The only constant in life…change. In between shows in an art gallery is a chaotic time. Here are some captured moments of change and the tools used to do it.
It is perhaps oddly symbolic that artist Sahaya Sharma’s first painting that led her to become an artist was inspired by a photograph of roads crisscrossing. “I was just 17 and my father, who is my big inspiration and motivator, sent me to intern at an advertising company in Mumbai,” recalls the 23-year-old, Delhi based artist who visited our gallery over the weekend.
“I was not given any work, but a bunch of books on art to go through which is when I came across this photograph of the roads…it stuck in my head and re-emerged in a painting that made after that, though it manifested in the form of ribbons crisscrossing the canvas,” she says. “I had started the work and then kept it under the bed… then it was time to leave for Delhi and my father taunted me about it. I finished it in one night. The painting is made up of earthy tones and is an early indicator of Sahaya’s style. Continue reading “A tete a tete with Sahaya Sharma”
While summer is a sabbatical for art, winter is always an exciting time for art lovers. Not only do art galleries plan some of their best shows in the winter, there is much anticipation and excitement over the Kochi Muziris Biennale and the India Art Fair, both slotted for the winter months.
The Biennale’s third edition, starting 12/12/16, is titled ‘forming in the pupil of an eye’. With Sudarshan Shetty as the chief curator, it promises to be a multidisciplinary experience with poetry, theatre and music alongside the artworks which are of course what the Biennale began showcasing over its first and second year. One can also look forward to the presence of several international artists like Achraf Touloub (Morocco/France), AES+F (Russia), Ahmet Öğüt (Turkey/Germany), Aki Sasamoto (Japan/USA), Aleksandra Ska (Poland), Aleš Šteger (Slovenia), Alex Seton (Australia), to name a few. There will also be artists from Pakistan and a fresh crop of Indian artists. Continue reading “A season for the arts”
Holding paintings up against the wall is quite different from hanging them. That takes time. When you stagger out of the gallery at 1 am in the morning, there can be no doubt in your mind that you all have done a good job. In fact, you’re in love with every string, every nail, every frame, every artwork and you feel a strange sense of pride coming over you. When you get over the rush of pride and become more objective, you spot imperfections, besides that is not the end of it. Invitations, food and drink…it’s a whole check list that the team is busy ticking off. The next day everything seems to be fine, you are hoping that at least 40 people will come. Imagine your joy when the wine glasses are totaled at 170. And that is just people who drank wine! Continue reading “Art has been explored”
The moment I heard of his demise, the picture of Yusuf Arakkal swam into my head, of his striding into the room, in a black Pathan suite, his voice booming, “So Georgina have you seen my work?” It was a painting of two kites with their strings entwined. At the time I smiled politely, but over the years of meeting him I grew to like his work and understand him a little better. Continue reading “The champion of the proletariat”
Paras Cinema opened in 1971. One of the major landmarks of South Delhi. Closed since 2007, it saw its glory days in the late 70’s and the 80’s and could seat nearly a thousand people. Continue reading “Paras”
The auctions are back and they bring good news for the art market. After a slow and sluggish time in the summer, the new season has brought in its wake two interesting auctions. Delhi Art Gallery (DAG) announced the opening of an auction wing in August and the online giant Saffron Art reported brisk sales in their September auction.
Recently Dinesh Vazirani founder of Saffronart, brought down the hammer on an almost forgotten work by artist Akbar Padamsee, at Rs 19 crores setting a new record for the artist. Titled Greek Landscape, the 4×6 painting was acquired by fellow artist Krishen Khanna at a throw-away price. Other artwork that made a considerable impact on the art market index was a 1960 oil on canvas painting by Nasreen Mohamedi at Rs 2.4 core. Bengal School artist Gaganendranath Tagore’s work “Ruben’s Sketch Book” was sold for another record setting price at Rs 1.8 crore. Continue reading “Going under the hammer”
As a photographer, I prefer to walk. Goa is one of my favourite places to go. No, not because of the touristy things but for the old world charm and laid back lifestyle that fits into my way of making images. I have walked the stretch between Morjim beach and Ashwem more than a dozen times. It never ceases to amaze me how every time, I find something new and interesting to photograph. Continue reading “You always find something new”
“Photographs are no longer rare artifacts, nor primarily a means of learning about the exotic or unknown. They arrive instantaneously on our phones every day from every corner of the world and from all kinds of people. With a smart phone, everyone is a photographer, and images compete for crowd approval on social media channels like Instagram, Snapchat and Facebook.”
It is part of urban lore that the late maverick MF Husain, in December 2010, surprised audiences, (not to mention the unsuspecting gallery owner) by bringing one of his muses, (no not Madhuri Dixit Nene) a live white horse, into the gallery, to paint on it. The gallery owner fearing the horse dung that would follow in the wake of this performative piece, requested the maestro to move the animal to the porch, which he sportingly agreed to. No doubt the ‘stunt’ got the shutter bugs clicking and made headlines, a phenomenon that Husain had perhaps gotten used to. Continue reading “Creative freedom or insanity?”
Only an artist knows what a creative mind goes through. We are all at different levels of evolution. It is very easy for some to say, “have a clear mind”, “be creative” or “have focus”. It is a whole different ball game to achieve any of it. We as artists are slaves to our environment. We learn from our parents, siblings and friends. In school and college from our teachers, on the job from our work mates, bosses and peers. An artist’s mind goes through a lot of turmoil, confusion and doubt to reach a stage of clarity. To even begin to unravel the human mind is next to impossible. Continue reading “States of Mind of an Artist”
The term ‘great master’, is much bandied about in art parlance, often without much thought of the implications of these two words. For an art novice it may be a term that evokes a certain aura for it can be loaded with hidden implications that are hard to grasp. The first concern for most art lovers would be, who is a great master? How must we decide this? Especially with something as subjective as art which has infamously escaped the definition of good and bad, words that are still up for debate. Continue reading “Great Master”
Nearly all photographers have had this question asked of them. What camera do you use? On the surface it is a plain question. But if you dwell deeper, it shows how people generally think. Photographers included. Continue reading “What camera do you use?”
Entering Gogi Saroj Pal’s East of Kailash studio space is akin to stepping into an atelier of an artist belonging to the age of guru shishya parampara, (a tradition followed in India that indicates a successive relationship between the teachers and disciples). Continue reading “Fearless Guru cool”
He believed in long format notes during a lecture. He never liked working on a computer but when you gave him a piece of clay he would fashion it into an endearing object during the course of a conversation. When he took up the brush he would paint the most socially witty situations with flair and elan. Not only was he an artist of formidable repute but he also mentored many young artists. We are talking about artist K G Subramanyan, who passed away battling illness for many years on June 30th 2016 at his home in Baroda. He was 92. Continue reading “Remembering a great maestro”
One of the keys to creating a better picture is deciding what to leave out of your image and keep what you want the viewer to see. This can be achieved in a lot of different ways. Getting a better angle and deciding where to stand is one of them. Continue reading “keep in leave out”